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'ONE-EYED HORSE' SCREENINGS AT DIAMOND CINEMA HAGERSTOWN IN MARYLAND! ONE-EYED HORSE, the new western film written and directed by Wayne Shipley, will be showing at the Diamond Cinema Hagerstown in Hagerstown, MD beginning on FRIDAY, OCTOBER 3, 2008 until THURSDAY, OCTOBER 9, 2008. Dates: October 3-9, 2008 |
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MERCHANDISE NOW AVAILABLE IN THE 'ONE-EYED HORSE' TRADING POST! August 20, 2008 The ONE-EYED HORSE SPECIAL PREMIERE EDITION DVD and other goodies are now available for you to purchase in the ONE-EYED HORSE Trading Post! Limited supply! Offer good while supplies last! Be the among the first to own a DVD copy of the new western ONE-EYED HORSE, complete and uncut, exactly as it was seen at the standing room only premiere on July 22nd at the Diamond Westview Cinema! Professionally mastered, this DVD edition, created especially for the cast and crew, is sure to be a collector's item, so act now before they're all gone! A classic western tale of obsession and revenge, starring Mark Redfield, Mike Hagan, Jennifer Rouse and Kelly Potchak. Written and Directed by Wayne Shipley. Don't forget the other fun collectables available, including the premiere movie poster of ONE-EYED HORSE (18 x 24), shipped in a sturdy mailing tube. AND two different sets of retro lobby cards! Visit the ONE-EYED HORSE Trading Post (www.one-eyedhorse/store.html) today! |
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NEW REVIEWS FOR 'ONE-EYED HORSE' August 4, 2008 The Baltimore Sun recently published a review of ONE-EYED HORSE! The complete article can be viewed at: Gary Svehla of Midnight Marquee also published a review on Midnight Marquee's blog at http://www.midmar.com/BLOG.html |
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NEW BEHIND-THE-SCENES CLIP ON CINEMARYLAND July 28, 2008 CineMaryland, an inside look into Marylands film and television industry featured ONE-EYED HORSE on one of their recent episodes. Reporter Rhonda Pence chats with the cast and crew of One-Eyed Horse about the inspiration for and the making of the film, westerns, and the growing film industry in Maryland. Watch the full clip on our VIDEO Page! |
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JOHN STRAWBRIDGE'S NEW BOOK: THE AUDITION BOOK July 28, 2008 What do you do with sixteen years experience? For John Strawbridge, more than a decade and a half of casting for feature films and network television had left him feeling without direction. "When you're working on studio productions, and especially on series TV," notes Strawbridge, "there's a real possibility that you can become frustrated in terms of artistic challenge. You can find yourself doing the same kinds of things over and over again. The same roles different scripts." He knew he had to find a new way to challenge himself. "I think that if you're in this business, it's because you don't like being in the same place day after day. You welcome change. You've got to feel like you're always moving forward." But once you've had your work nominated for an Emmy, (as was the case on HOMICIDE: Life On The Street, which won an Emmy for it's casting) and had some box office success (as with Wedding Crashers) it can be difficult to find a newer and higher peak. So Strawbridge decided that instead of looking upward, it was time to look outward. So he decided to share that experience with the community. "The best way to expand upon what I'd done," he figures, "was to multiply it. Instead of one person having this experience, ten people could. Or twenty. Or however many wanted it." For the last eight years, Strawbridge, along with veteran actor Gary Wheeler, has been co-instructor of "The Working Actor" series of classes. Working out of the Chesapeake Arts Center near Baltimore, the two have been conducting classes in audition practice and performance skills, as well as their signature "real world" approaching to navigating the business of acting. "The classes have been great," Strawbridge says. "But it's always been in my mind to supplement them with a book. Something that actors could have with them at all times, and which could, maybe, reach people outside this market, or who haven't been able to take the classes. "After several years and several drafts, this Spring saw the release of "The Audition Book: What Casting Directors Are Really Looking For" a book which Strawbridge hopes will reach many. And Strawbridge feels that there's still a need for a different approach. "There's a lot of advice and resources available [out there] for actors. But what I saw time and time again in auditions, was that actors didn't seem to know what was important to us, on the casting side. They were working awfully hard, but often on the wrong things. Not the things that were, for us, the deciding points on who to callback." Strawbridge hopes that his book will not only give actors the insight they need to have more success in their auditions, but also give them the benefit of what he's learned himself, without having to spend so many years gaining experience. "I wrote this book for actors, but after sixteen years in casting, I really wrote this for myself and for all other Casting Directors so that actors coming in to audition for us would know exactly what we were looking for." And now that he's finally been able to put his casting experience to good use, what's next for Strawbridge? "At the risk of sounding like a cliché, I've got a script I'm trying to get produced," he offers with a laugh. "I'm hoping it won't take another sixteen years. John Strawbridge's book is entitled "The Audition Book: What Casting Directors Are Really Looking for", and is available on amazon.com. For more info, visit www.TheAuditionBook.com. |
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SINGLE ACTION SHOOTER SOCIETY MARYLAND STATE CHAMPIONSHIP Thunder Valley Days June 26-28, 2008 Damascus, MD Come meet the cast and crew of ONE-EYED HORSE! |
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WESTERN FILM FAIR Winston Salem, NC Clarion Sundance Plaza Hotel July 16-19, 2008! Guests include: Gary Lockwood, Caroline Munro, L.Q. Jones, Geoffrey Lewis, Lynda Day George, Shirley Eaton and more! |
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| June 9, 2008
REDFIELD BRAVES A DARK AND STORMY NIGHT So who will survive
and who will not survive quite as well? DARK AND STORMY NIGHT is scheduled to be released in 2009. |
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| May 27, 2008
STORIES FROM THE SET: COOPERMAN RIDES AGAIN! Introducing a new regular feature! The cast and crew of ONE-EYED HORSE tell tales from the set in their own words. Today's story is by Dave Cooperman, who plays Gatewood henchman Jessie Mann I portray Jessie Mann, one of the evil henchmen who stir up all kinds of trouble at the prize fight. Unlike any other project I've worked on, this required several months of horseback training. I had never ridden a horse before, so this was a special and very exciting opportunity to learn a new skill while having fun at the same time. The shoot dates for our scenes were in October 2007, so the training began June 4, 2007 and every Monday until filming began. The cast was extremely fortunate to have the services of horseman Bob Brown, Tom Drury of Millersville Stables and other equine professionals from the Maryland area. They were kind enough to share their knowledge and take the time to show us the nuances that are so important to be a successful rider. It's not rocket science, but if you're not careful and get distracted, you can encounter problems. They include not using the correct signals, or giving conflicting signals that will upset the horse. Unlike a car, this "vehicle" has a mind of its own and can easily make its own decision without any warning. Horses typically want to go in the direction of other horses or to the trailer they arrived in, since it indicates "home" for them. What's very important to keep in mind is to establish and maintain control. If the horse starts to take control of speed and/or direction, then the rider must re-establish control. One of the trainers described horses as the equivalent of "five-year old brats", that always need to be kept in line with the rider as the boss. They also LOVE to run. Once you signal them to simply walk or trot, they often pick up speed and quickly accelerate to a full gallop despite never getting any additional signals to go beyond your lone request to go slowly. One day, several of us were gathered around, mounted on our horses, and one of them was startled by something and flinched. For whatever reason, my horse, Duke, bucked me, going high up on his back legs. I'm glad I devoted my undivided attention to Duke and was able to hang on with a firm hold on the reigns, thighs on the saddle and feet in the stirrups. Later, one event in particular that left a strong impression happened on July 2, 2007. It was a beautiful day on the Shipley homestead. I was riding a gelding named Chief who I enjoyed riding. I was riding alongside my tutor Bob Brown (who also plays Slim in the movie), and he was riding his horse Flash. Just for fun, Bob made a spontaneous decision to race. He said "Let's see what you can do!" which was an offer I couldn't refuse. Outrunning my teacher was going to be a nice victory to tease Bob about later. He started out with a slight lead, but I quickly caught up and was looking to pass him. A split second before I was going to steer Chief to the left, Chief suddenly decided to turn right for no apparent reason. Confirming Newton's Third Law of Motion, the unexpected result had Chief going forward and to the right and me going backward and to the left. It happened in a split second, so all I remember was the turf closing in on me and slamming to the ground landing on my back. We were traveling about 30 miles an hour. I'll never forget the "thud" sound at contact. I rolled over and sat up in a rather undignified position. Director Wayne Shipley said it looked like a very professional fall, so who was I to argue with that? Fortunately, nothing was broken, but I had hit really hard. I managed to get right back in the saddle for a little while, but had to get off when I knew it wasn't a good idea to keep riding. It hurt to sit upright or walk normally, but at least I was still in one piece. It took about three weeks until all the pain was gone, so it's an experience I'll never forget and never intend to repeat. I'm not mad at the horse since those things happen and there was no way to know it was going to happen. I'm also glad to say that was the only time it happened. I came back for some pickup shots on April 19, 2008 when filming concluded for the project. There's always an element of risk, but it was all worth it to be a part of Wayne Shipley's One-Eyed Horse. |
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![]() Randy Rolls
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May 17, 2008
STORY ABOUT THE MAKING OF ONE-EYED HORSE FEATURED IN THE CURRENT ISSUE OF 'THE COWBOY CHRONICLE'! |
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![]() Brady Kirchberg |
May 16, 2008
BRADY KIRCHBERG IN 'MAPS', THIS SATURDAY, MAY 17TH! Actor Brady Kirchberg, who plays 'Chick Mosley' in One-Eyed Horse invites you all to the premiere screening of a great short film he shot last year around this time, entitled "Maps." The film will be shown at 7:30, runs for 23 minutes, and will be followed by a brief question and answer session with the actors, Brady Kirchberg and Jaclyn DiLauro. |
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![]() Greg Coale
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May 11, 2008
ONE-EYED HORSE CAST MEMBER UPDATES! ONE-EYED HORSE is currently finishing the final touches of editing and music but we'd like to share some news from a few of our cast members! Greg Coale, who plays "Nathan Short" in ONE-EYED HORSE recently was in a film called Signals a full length movie, television pilot, which was accepted at CANNES 2008. Signals will be premiering in the Maryland area soon. Coale plays a principal character, Special FBI Agent Ferdi.and will be playing this character in future episodes. Officially selected for the New York International Independent Film & Video Festival Los Angeles 2008. The website for Signals is www.signalstv.com Jennifer Rouse, who plays "Helen Gatewood" was recently cast as the lead in a film that starts filming in September called Stingy Jack. It's a horror film about a couple that moves to a small town that has banned Halloween. Jennifer's co-star is Jason Priestly who you might know from Beverly Hills 90210 and other films.The website address is www.stingyjackmovie.com John Strawbridge, our associate producer and henchman "Bob Bragg", is pleased to announce the publication of his new book THE AUDITION BOOK - What Casting Directors are Really Looking For This practical, real-world guide to Audition practice and technique is based on Strawbridge's more than sixteen years experience in casting Feature Film, Network Television and Theatre, as well as on the popular classes and workshops he has conducted. Intended to give the Actor an edge by offering you the Casting Directors-eye-view, the book helps the actor answer the question What Are They Looking For?. It provides tools to focus time and effort on the things that matter most to the people who do the hiring. Included are an overview of the Casting Directors job & needs, Headshot & Résumé guidelines, Auditions tips, and help in overcoming anxiety. THE AUDITION BOOK is now available directly from the publisher, or on Amazon.com. Visit www.TheAuditionBook.com for links to both. |
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![]() Kelli Biggs
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April 23, 2008
KELLI BIGGS IN "KING LEAR" APRIL 25TH TO MAY 11TH! Actress Kelli Biggs, who plays "Sarah Parker" in ONE-EYED HORSE will be playing the role of "Regan" in the William Shakespeare classic "King Lear", which opens this weekend at Cedar Lane Stage in Bethesda, MD. "It's my favorite role in my favorite play, and this is an exciting production.", Biggs says about the show. Details: KING LEAR Performance Dates: April 25 and 26, May 2, 3, 8, 9, 10 at 8 PM Thurs., May 8: Pay-What-You-Can. For more information be sure to visit www.cedarlanestage.org |
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| April 14, 2008
JASON BROWN TO PERFORM WITH "BROADWAY'S GREATEST SHOWSTOPPERS"! Jason Brown, who plays Webb Stockton in and will be doing the musical score for One-Eyed Horse will be performing along with Tony award winning composer Marvin Hamlisch, actress Kristen Chenoweth (Wicked) and Raul Esperanza (Chitty Chitty Bang Bang, The Rocky Horror Show) in the show Broadway's Greatest Showstoppers on May 20th at Avery Fisher Hall in New York. Mr. Hamlisch has hired Karma Kamp, a wonderful choreographer and a team of dancers and Jason Brown for the evening to perform with the NY Philharmonic! Brown performed a similar concert at the Kennedy Center in 2006. Hamlisch liked it so much he is bringing them up to NY. BROADWAY'S GREATEST SHOWSTOPPERS Starring Marvin Hamlisch Tuesday, May 20 - One Night Only! About the show: They're the stuff of legendthe magical moments that stop the show and bring the audience to its feet. Multi-award-winning composer/conductor Marvin Hamlisch (A Chorus Line, The Sting) has combed through the annals of Broadway history, combining the very best of these show-stopping moments into one very enchanted evening with the likes of Les Miserables, Carousel, My Fair Lady, A Chorus Line and much more.
Conceived by and Directed by Marvin Hamlisch. Tickets, priced $29-$99, are on sale now by calling (212) 875-5656 or by visiting the Avery Fisher Hall box office (132 W. 65th Street (Broadway at 65th Street)). Read the article about the performance on www.playbill.com |
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April 11, 2008 MIKE HAGAN IN "LINE" Mike Hagan, who stars as "William Curry" in One-Eyed Horse will star in "Line" this April through May! The play tells the story of a group of unacquainted people, who one by one come together to form a line for some unnamed, upcoming event. Gradually the struggle for first place begins, as they lie, cheat, wrestle and push to gain the lead spot. Starring Chris Fluck, Nathaniel Robertson, Megan Hoke, Mike Hagan, Bob Schmidt Directed by Gregory Scott Campbell Apr 23 - May 18, 2008 WALNUT STREET THEATRE STUDIO 5 For show times and to order tickets go to www.lunatheater.org/order_line.htm |
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RICHARD WIDMARK 1915-2008 When I was eight years old I saw Richard Widmark in THE ALAMO. He became my first movie hero. I wanted to be him. His self assurance and worldly, even cocky demeanor appealed greatly to me. Perhaps these were traits I felt I lacked and wished I could acquire. Around this same time his movies became available to television. NBC's SATURDAY NIGHT AT THE MOVIES would run his ten year-old war movies. The other networks followed throughout the sixties with many of his other films. Despite the excellence of his films and the many high-profile co-stars, Widmark's legacy has been largely forgotten by most. It's gratifying to see that so many members of this board remember the man and his movies. When he reached his nineties I knew it couldn't be long before we lost him. I began preparing an overview of his career, from my perspective. I never finished it nor gave it a polish, but here it is, my thoughts on the career of Richard Widmark: Richard Widmark was one of the biggest stars of the 1950s. Making a splash as Johnny Udo in KISS OF DEATH (1947), Widmark quickly rose to the front ranks of male stardom. His peers were Gregory Peck, Spencer Tracy, Gary Cooper, Burt Lancaster, Kirk Douglas, Henry Fonda, Anthony Quinn, James Stewart, Yul Brynner, John Wayne, Sidney Poitier and Willliam Holden and he co-starred in films with every one of them. Never very interested in celebrity, and an outsider to the Hollywood party mentality, he suffered from the lack of networking and, like most of his peers, he hit a rough spot in the 1960s, the quality of the roles offered him declining, and today, unlike those others mentioned, he is forgotten by many. And now he is gone at the age of 93. Widmark's cynical streak surfaces in YELLOW SKY, GARDEN OF EVIL, in which he wears a remarkably similar costume (Widmark favored a style of flat-topped western hat and dark suit, vest optional) and, again, in THE LAST WAGON, a variation of the role, in which he is a reputedly a dangerous killer, yet he dispenses knowledge that saves lives and disproves the derogatory reputation. In a string of war films for 20th Century-Fox, Widmark played actual heroes. His box office popularity was of such importance to the studio that when he declined to renew his contract Darryl Zanuck, as punishment, gave him fourth billing in BROKEN LANCE behind Spencer Tracy, Robert Wagner and Jean Peters. When the 1960s rolled in all of the old school stars started having trouble. Although in their prime, many of them not yet 50 years old, there were younger stars coming onto the market in movies that gave audiences different experiences. The more familiar, and often formulaic, plots of earlier decades did not entrance and entertain filmgoers as before. This was the decade that saw the start of female stars like Bette Davis, Joan Crawford, Olivia deHavilland, Joan Fontaine, Shelley Winters, Debbie Reynolds and Gloria Grahame, among others, taking roles that were beneath their talent and stardom. Widmark's version was to appear in some all-star spectaculars (the concept inspired largely, no doubt, by the 1950s blockbuster AROUND THE WORLD IN 80 DAYS), films in which the cast could be more interesting than the movie itself. Widmark began the decade with John Wayne's spectacle THE ALAMO, a film that made a very impressive showing at the box office, just not enough to put it into the black. JUDGMENT AT NUREMBERG, HOW THE WEST WAS WON, and CHEYENNE AUTUMN were other spectaculars, considered important releases, with Widmark, his celebrity frequently only a component of these multi-star extravaganzas. These would not be his last, either, as others -- ROLLERCOASTER, THE SWARM, BEAR ISLAND, TWILIGHT'S LAST GLEAMING, and, best, MURDER ON THE ORIENT EXPRESS, a notable exception -- followed, although not all would be thought of as important or even very good. In his latter years he often played grumpy generals and generally grumpy guys. Most actors want only to be seen to best advantage, to be someone the audience likes. A remarkable trait in the actor was that he didn't mind playing weak characters. That first rush of film noirs for which he is so well known often cast him as a weakling, a braggart, a good-for-nothing. Equally remarkable is that his career and popularity were able to thrive on these roles which did not cast him in the best light, certainly not as the noble, admirable hero most actors built careers upon. It wasn't long, though, before he was playing WWII heroes and then tough, world weary cowboys of various stripes. His Nordic blonde looks, coupled with pronounced cheekbones and prominent eyes were physically striking for the time period. When producing a tight, uncomfortable smile his head often appeared skeletal. Other actors who resembled him somewhat, who could have played relatives, were John Davis Chandler and Frank Gorshin. Gorshin, who was often featured on television performing impression of celebrities (such as Kirk Douglas, who was another celebrity he resembled) would imitate Widmark and actually did play the actors brother in the movie WARLOCK. As the years wore on, Widmark filled out and looked less skeletal, but he never did seem totally comfortable smiling. Widmark was a notoriously private man who wasn't interested in the Hollywood scene. Married for decades, he apparently didn't fool around and enjoyed family life. While this sort of seclusion was fine when under contract to a major studio willing to promote their stars, the studio's self interest in such self evident, working as an independent was another story. Nor did he seem prone to seeking publicity. Without a studio behind him, publicity as a star minimal, and his future stardom reliant on his choice of film roles, Widmark was ripe to take a fall in popularity. In fact, as the 1960s wore on, it would seem that he was not the best person to pick projects. He once said that he took the roles offered him, an indication that he did not campaign for parts that might have suited him. But he was also a tough nut, an extreme professional who was always prepared when he walked on a set and did not suffer fools gladly. He did work fairly steadily, though, making forays into television with MADIGAN and VANISHED, later, three out of four of his last films, and much of it was popular, but he was often in subordinate and supporting parts, none of it advancing his career or brightening his fame. Regardless, he remained a star and received star billing to the end. His contemporary demeanor worked in period Westerns but he often seemed out of place in other period films. Despite those Nordic features, he seems out of place in THE LONG SHIPS, a far less interesting film than THE VIKINGS, and other than SAINT JOAN, it is perhaps best that he did not do others. |

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